ROO NEWS – Late March 2013

There’s been a lot happening behind the scenes on the ‘roo front, so let’s get right to it:


I recently received a request from Killeroo fan Phillip Gleeson for clearance to use a specific image for a tshirt campaign against the NSW Government’s decision to allow hunting in its Natural Parks. As it sounds like the kind of cause that Rufus himself would get behind, I not only granted that clearance but took it upon myself to make a great t-shirt design for it, including remastering the original image and some powerful typography.


The t-shirt is now available (at cost price – no margin to keep it as cheap as possible) on HERE.
So show your support to the cause and wear it proudly!


Unfortunately Killeroo will no longer be featured in Velocity #3, due to the story not being completed in time for their release date. I take full responsibility for this, Neville was more than generous with the extended deadlines but I still couldn’t manage to get it across the line. The story WILL be completed at some point, but where and when is not known at this time.


Previously going under the working titles of ORIGINS and DEUS EX RUFUS, Ryan Wilton’s SCARS book now has a lovely cover image, check it out! (layout may change prior to publication).

KILLEROO: SCARS - cover mockup by Ryan Wilton

KILLEROO: SCARS – cover mockup by Ryan Wilton


It’s all systems go with the Anthology book, pages are coming in thick and fast and lettering and toning for completed stories has begun! Much more stuff to share soon, but for now, check out this page by Louie Joyce!

GANGWARS page by Louie Joyce

GANGWARS page by Louie Joyce


Steve Boyd

Steve Boyd

Melbourne artist Steve Boyd dropped by to give us some of his thoughts as he works away on his Killeroo story for the GANGWARS ANTHOLOGY, working from a script by Will McLaren.

DC: What’s your take on the Killeroo character, how do you visualise him as you’re working on the GANGWARS story?

Steve Boyd: I have never been a fan of the ‘violence solves the problem’ moral in storytelling, it doesn’t ring true to me, so I think Rufus uses violence only when he is pushed to the limit. I think there is a lot more to Rufus than most people see. He doesn’t say much, but he thinks a lot.

Personally I like to see Rufus not as a mindless killer, rather I believe he is a deeply moral individual, which probably comes from a deeper connection to the Spirit of the Earth (He is half animal) and the tribal teachings of his upbringing. I think perhaps this side of him will come out more in future stories as the characters past is revealed, in Gangwars and beyond.

I see him as an outsider, (as a giant therianthrope would be if they were born into this world.) Look how anyone with difference is treated in our society. I don’t think he understands White Man, in all his destructive ways, but finding acceptance, loyalty and friendship amongst his gang has given him something to fight for. I think this is what the fans really relate to. I want to have him in my corner!

DC: You’ve just recently worked for the upcoming INK TALES book, and now KILLEROO – how does your approach for tackling the page differ for those as opposed to when you’re working on your own ZED MERCURY book?

GANGWARS page rough by Steve Boyd

GANGWARS page rough by Steve Boyd

SB: Well, first of all the setting is completely different to the world that both the Ink Tales story and Zed Mercury are set in. It’s set in the real world, and therefore has realistic humans rather than the demi-gods, cacodemons and monsters in my bonepunk stuff. No one will notice if you stuff up the facial proportions of a monster but if you screw up a human face it is glaringly obvious- we look at people’s faces every day. That alone makes it instantly more challenging, as making human characters emote is really difficult, as any artist will attest to. Comics can tend to be a bit wooden when artists draw the same face again and again and I aspire to bring more to my comics than that. Comics as a medium are sometimes sold short, and I believe, can be as emotional as a film, why not? This is why I find Jim Lee’s work booooooooorrrriiiiing. We can do better.

Even things like the backgrounds and props need to ground it in the setting (early eighties) and this requires extra attention to research. Also putting a giant Kangaroo next to human characters in a human world runs the risk of looking a little goofy or out of proportion, so I have been doing a lot of thumbnails and studies to get this looking right.

Furthermore drawing a giant human/kangaroo hybrid is really difficult (try it!), and Darren Close is very particular about what he wants – As well he should be! Looking back on some old sketches I can’t believe how wrong I got it. He looks like a fucking camel. Darren’s guidance has really challenged me to do better work and I hope I can do the character justice.

DC: You’ve decided to draw Rufus wearing a very distinctive tshirt in your story, can you tell us a bit more about that?

SB: Well I am a big fan of rock and roll, and considering the setting, I wondered what kind of music Rufus would be listening to. Originally I was going to put him in a Midnight Oil tshirt, but I didn’t think that was ‘punk’ enough, remember, Rufus is an outsider. So I decided to give him a Radio Birdman tshirt because they seem to fit better with his rebel ethos. Those guys were getting kicked out of and banned from pubs all over Australia for their raucous gigs around the time of the story, and I imagined Rufus going to one of these gigs and loving the shit out of it. They have a really iconic logo too, and it fits nicely right in the middle of his chest, like the icon of a super-hero. I’ve been listening to them while drawing, it’s like taking musical cocaine 🙂

DC: Thanks Steve! Now get back to work!




When Killeroo returned to publishing after a long hiatus last year (with the standalone GANGWAR story), I was faced with the daunting task of essentially starting the whole distribution system again. Building a rapport with stores and keeping in touch can be a difficult and time-consuming process, especially with the interstate shops. Thankfully there are a few stores like KABOOM COMICS in Toowoomba that are keen to help out local publishers with vigour!

The boys at Kaboom Comics

DC: Tell us a bit about Kaboom Comics.

Todd Baillie: Kaboom kicked off in 2004 as a tiny shop and has now grown into one of regional Australia’s best Pop-culture stores. We have always pushed for more of comic community that just a retailer/customer type store, I’ve been to weddings, christenings and so much more with my customers, some are more like family than just a customer.

DC: Some local stores are seeing the benefits of using social media to talk to their customers, but you’ve really taken it to the next level with podcasts and youtube videos as well – It must be a massive undertaking, have you seen a lot of benefit from your customer base?

TB: We have seen a massive upswing in sales because of the videos and podcasts but Geek Speak promotes a number of stores and not just Kaboom. It is a massive amount of fun to do and customers seem to love listening and watching. We have had a number of customers buy books we talk about on the shows and the aussie stuff is a great example of that.

DC: You’re very supportive of locally produced comics (including Killeroo) – how well do they sell in your store, is there a definite return in this for you or is it more a case of building goodwill with creative customers?

TB: Aussie comics sell really well in our store, it’s because we really push them, not just hide them on a shelf and forget about them. We really hand sell the aussie books and people react well to that , they love supporting indy aussie books.

DC: What’s the feedback you’ve had from customers for Killeroo?

TB: Fans have loved Killeroo, we have trouble keeping enough copies in-stock (Need to re-order more ), and everytime a customer picks up the first book, they are back to pick up more… it’s addictive… but less damaging than crack. 😉

For all the latest news, the best place is the Killeroo facebook page, or if you’re on twitter, check us out at

Hooroo for now!

Darren Close


Announcing the GANGWARS Anthology

Here at Killeroo HQ we’re pleased to announce that submissions are now open (for both WRITERS and ARTISTS) for the new Killeroo book, the GANGWARS anthology.


The GANGWARS anthology will be an annual 120-page volume of collected Killeroo stories, set during the late 1970s and early 80s in outback Australia, when Killeroo (Rufus) was the leader of a motorcycle gang roaming the outback. His gang will be one of many operating in Australia however, which leads to many confrontations, battles and alliances between them. An extended cast of characters have been developed (good, bad and somewhere in-between), with their own motivations and ambitions to fully explore this period of time, and the changing landscape they will create.

There are a lot of stories to tell, and we’re going to need your help to do it! It’s your chance to get your work published in a major Australian comic book, get some exposure, and $50 bucks for your troubles!

In order to keep stories consistent, a collection of rough plots have been developed, from which writers can choose one to expand and write a script from. These plots will be assigned on a first-come, first-served basis. Alternatively if you have an idea for a story that would fit within these parameters, you are welcome to pitch it, and the editorial staff will determine if it will fit within the overall framework.

Initial submissions should comprise of a half-page story synopsis and the first page fully scripted.

These will be reviewed and successful applicants will receive the go-ahead to script the entire story, and a work-for-hire contract with a deadline negotiated with each writer individually, to maximise quality and ensure delivery. Upon delivery (emailed in the form of Word or PDF document) you will be paid $50 in total for your work, as well as a complimentary copy of the finished book (with a profile in the back).

The Guidelines for Artists downloadable PDF below contains a sample one-page script, as well as illustrations of the characters featured in it. You will need to draw this sequential page in the format that you’re most comfortable with, either pencils or inks. You are not required to letter it. Send us a hi-res scan of this page (camera photos will not be accepted) to the submissions email below. You can also include links to other sequential works completed if you wish, but please do not email any additional artwork than the sample page.

Successful applicants will be given a work-for-hire contract to sign.

Once a script has been completed (either developed internally or from an external writer-for-hire) it will be assigned to each successful artist on a best-fit basis, determined by the editorial staff. Once assigned, a deadline will be negotiated with each artist individually, to maximise quality but also ensure delivery. Upon delivery of the work you will be paid $50 in total, as well as a complimentary copy of the finished book (with a profile in the back).

NOTE: It is preferable for artists to ink their own work, but if you feel your primary strength is pencilling, an inker may be sourced separately to complete the work.

Each story shall be a minimum of 6 pages, with a maximum of 12, depending on story complexity. In rare circumstances this MAY be extended to 16 pages, but only with good reason and approval from editorial staff.

Assuming both writer and artist are successful in their applications, we will endeavour to work with these kinds of requests, as long as we determine these to be the best fit for the particular story.

The primary editor for this project is Ryan Wilton, who came up with the idea for the project in the first place. He will also be the main writing submissions editor as well. The secondary Editor (and artists submissions editor) is Killeroo creator Darren Close, and it is likely we will look to some additional editorial input from other professionals before publication.

As detailed above, successful applicants will be given a work-for-hire contract to sign, and paid (upon completion) a nominal amount of $50 for their work. This renumeration is obviously not a significant amount of money, due primarily to the large expense that will be outlaid for the production of this 120-page book, as well as it’s printing and distribution costs. It’s a token payment we know, and not meant to be commensurate to the work involved, but we figure it’s better than working for free.

Successful applicants will also receive one complimentary copy of the finished book their work is printed in, and a discount rate to purchase additional copies. Additionally, each writer and artist will have a short profile in the book and option for their website URL too.

This is an important question. The answer is NO, all works completed will be on a WORK-FOR-HIRE basis, and as such become the property of Ozone Studios and Darren Close. If this is something that bothers you, we strongly advise you not to submit to this book.

Glad you asked! Here are a few downloads (PDF format) that should answer any other questions you might have:




And lastly…

We have setup a special email address for all GANGWARS Anthology submissions, and that is

Writers, please submit your works as either Microsoft Word or PDF formats
Artists, please submit your sample pages as 300dpi jpegs in RGB format.

NOTE: submissions not following the guidelines will NOT be reviewed. Please study the guidelines carefully before submitting.


So there you have it – your chance to work on a Killeroo story, get published and get $50 in the process!

We look forward to receiving your submissions!

– Darren Close


Hi folks!

Here’s the latest Killeroo news (henceforth referred to as ROO NEWS, because I’m very imaginative. And witty.):


This book has proved to be a great seller, and a good relaunch of the character to the local market. It’s been pretty well received too, here’s some of the reviews it’s gotten thus far:

You can still buy a copy off the shelves at selected comic stores, or click here to buy GANGWAR online.


This book is very close to being completely sold out (congrats guys!) and contains the first-ever colour Killeroo pages in print. It takes the form of a 4-page preview from GENESIS, with art by Ryan Wilton and colors by Stewart Cook. If you’d like a copy, your last chance is the upcoming Sydney Supanova.


A new South Australian anthology comic is coming soon from Square Peg Comics, and one of its features is a new ONGOING Killeroo story. This is drawn by GEE HALE, who’s done a truly spectacular job. I’ve seen pages from the other stories, and there’s not one weak link among them. Shall be a classy, quality book from the looks of it. You can pre-order a copy, and check out some of Gee’s pages.


Ryan is in the home-stretch of drawing the pages for this book, and it’s looking like it’s going to be something really special. Given it’s Rufus’ origin story, expect this book to be released only when it’s 100% completed, as it’s something of a labour of love, and the foundation for all future Killeroo stories. At this stage the only solicitation I’m prepared to give on this book is that it shall be released before the year’s end (or never, if the ancient Mayans’ tattslotto numbers are correct!).


Originally slated for Velocity #2, the 12-page THE CAVE story is on track for inclusion in #3, written by Andrew Shaw and drawn by myself (with a layout assist from Ryan Wilton). In the meantime, check out Velocity #2, which includes a sweet teaser pinup by Ryan Wilton!

KILLEROO: GANGWAR 2 (working title)

Due to the success of GANGWAR, a sequel is currently being scripted, with Paul Abstruse slated to return as artist. Likely to be released in the first quarter of 2013, with a bit of luck. I could tell you more, but I don’t want to spoil it yet.

And that’s about it for now – Hooroo!

Darren Close.